Day 1034 Best one yet

This is number ten flower painting. And all my friends think it’s the best one. I agree. I softened all the right edges and lost some. I let it drip and run and mingle the color like watercolor does so well. I got the essence of flowers without the exact flower being painted. 
 I think it’s actually due to the change in paper. I used up the last of my old Fabriano block so I dug out a pack of fluid 140# cold press which is what Charles Reid recommends. 

It seems to have a slidy effect due to the sizing when you add water to the color. This was painted by adding full strength watercolor on a dry #10 da Vinci brush then adding water. It uses a lot of paint but well worth it for the effect. 


Of course the slidy effect could have been due to the fact that I had painted this at almost a vertical angle. 

So I googled it to read reviews of it. North Light said 

“Work wonders in watercolor with Fluid watercolor paper!

Fluid Watercolor Paper is crafted in a European mill (Schut) which produced its first paper stock in 1618. Mill masters craft small batches at slow speeds allowing for finer control of quality. This slow approach produces a sheet of great strength that shares much of the working integrity of more expensive mold-made papers.”

And Roz Stendhal who is diligent in her art material reviews uses it all the time. She said it’s 100% cotton hand made artist grade paper. The blocks are much cheaper than arches and you frequently can find a deal on it. Right now Cheap Joes is offering it with a free sample pack of 20 8×10 sheets with the purchase of three packs. 

However she’s not so fond of the hot press. Has a slight pattern when it dries. 


I will say I found it annoying when the paint slid off these fruit to make dark shadows under them but today I quite like the effect. 


Time to go fruit and flower shopping. I ate the apple and the orange yesterday and the flowers well they are looking raggedy! 

Next up trying the ferrier on this fluid paper. If it’s good enough for Charles Reid and Roz it’s good enough for me. Hmm evidently their paper was in the republished Audubon catalog in 1972. 

Ps Cheap Joes is offering a good deal on Fluid  paper. A 20 sample pack free when you buy three Fluid products. I do love JOe and his company. Great humanitarians spreading the joy of art! 

Colors used Winsor yellow, ds carmine, cobalt violet, mineral violet, oxide of chromium, viridian?, cerulean, ultramarine blue, burnt sienna, cad orange, cad red light or scarlet lake. 

Ttyl Margaret getting ready for brunch and a lazy rainy Sunday. As Oprah says no demands on a rainy day! Xoxoxo

 

Day 1033 Those darned teapots! 

In every class you take there is usually very useful  fact that sticks out that you learn. 

  • I have learned that rubbing alcohol dissolves and removes acrylic paint even when it dries. 
  • I learned about Mr Clean erasers in my first Charles Reid class in Atlanta and have been using them ever since. 
  • In John Salimens class I learned about masking taping your painting when you use a Mr Clean on your painting.  That way you can hone in on an exact spot. 

For some reason when I drew the above painting I decided it would be a great idea to put the teapot behind the leaf. DUHHHH! 

I absolutely loathed it when I was done. As no doubt you know that might mean the painting was ruined. So yesterday I decided to lift it with a Mr Clean and masking tape. It couldn’t hurt it. 

Here is the top of the teapot taped off and the star on top of it.  

And here it’s all erased in one swipe and a blot with a Kleenex. 


I had to do the spout twice.  Once to remove the leaf over it. And once to correct my not so great painting of the inside of the spout. 

This is the tape job before I lifted the color off the spout. 

And here’s the spout after I swiped  with the Mr Clean. Be sure to use clean water and a clean sponge. 


Here’s the spout and the top repainted after lifting with the Mr Clean. 


And here’s the painting now. I also went back in and added some carmine to the lilies in the left. They were too purple. 
And I tried to soften their edges. Those darn Lilies are asuch a pain. Always sticking out. 

Ttyl time to paint. Margaret whose thinking of giving the droopy flowers one more go round. 

Day 1032 That bouquet

Thought I would change up the title! Lol. 

The bouquet is definitely on the wane. 

Finally one that I am pleased with everything. Well almost. Only took  five years of practice, three classes of fifteen days and we won’t discuss the $$ spent on classes and art supplies! A valuable painting.   

Filling up the page like Bonnard would do. 

The ubiquitous tea pot is gone. It was too big and too fat. Give me a nice juicy navel orange any day. I spent a lot of time rearranging the fruit. They were all lined up either vertically or horizontally every time I drew them. And they started out way too big. 

In the sketch you can see the fruit is different than the final painting. 

Bytw of u haven’t got the audible ap get it and download some great books to listen to while you paint. I listened to War Brides a thrilling world war 2 story set in England. Full of spies Nazis bombings and of course a love story or two and war time marriages. 

Paper Fabriano 140# 18×22. An odd sized old block that I have had for three years since my first Charles Reid class in Atlanta. Should have saved one of my first paintings I did with him. This one is a big improvement.  

Colors used.  The splatter was the soup in the plate under my water bucket from painting all day. Perfect grey.  

Colors used Winsor yellow, ds carmine, cobalt violet, mineral violet, oxide of chromium, viridian?, cerulean, ultramarine blue, burnt sienna, cad orange, cad red light or scarlet lake, sap green.

Ttyl Margaret xoxox

Day 1031 How many flowers 

Can she paint?! Evidently a lot. 

While I love most of the bouquet with the possible exception of the top is too flat aka you can draw a straight line across it I really like this painting EXCEPT that darned teapot. 

Here’s the sketch again. I really liked the sketch which is odd since now I don’t like the teapot in it. Maybe it’s just that I don’t like that teapot? 

Thinking about repainting it again when I get home from my meeting today without the flower pot. 

Have to strike fast those flowers are getting droopy. Especially those daisies. And those lilies. Well they are dying. They are taking over the world. 

Fabriano 140# cold press 

Colors used Winsor yellow, ds carmine, cobalt violet, mineral violet, oxide of chromium, viridian?, cerulean, ultramarine blue, burnt sienna, cad orange, cad red light or scarlet lake, sap green.

Ttyl Margaret off to a meeting.  Xoxox

Day 1029 -Another Flower Painting


If at first you don’t succeed try try again. Love the flowers. The teapot not so much. So I drew another at 11 last nite. 


I turned the bouquet around. Some of the yellow daisies are already drooping so better get busy painting this one. Stay tuned. 

Colors used Winsor yellow, ds carmine, cobalt violet, mineral violet, oxide of chromium, viridian?, cerulean, ultramarine blue, burnt sienna, cad orange, cad red light or scarlet lake, sap green. 

Ttyl Margaret whose playing bridge today. Xoxoxo

Day 1028 More Flowers 

My best of the three attempts I made painting this bouquet. I thought painting white flowers was hard till I did this one. Those yellow flowers were a pain. 

Funny story. When I showed it to Joe Miller aka Cheap Joe he quipped if I asked Charles Reid to sign it I would have TWO charles Reid flower paintings.

 So I did. Darn he didn’t do it. 🤗He did laff when I told him Joe told me to do it. 

I do have this very tiny Charles Reid sketch in my class notes where he explained to me how he would paint the yellow flowers. 

Unpacking almost done. Now I have to go to the grocery store for something healthy to eat. All I have in the house is a couple of apples and I want to paint them BEFORE i eat them. 

And I want to paint this great Mother’s Day bouquet before it does so off I go. 


I did collage the cover of my notebooks from Charles and Peggi Habets class. It’s a Strathmore Mixed Media 500 sketchbook which has such a dull brown cover. 

Ttyl xoxox Margaret glad she’s more unpacked than packed.  

Day 1027 Pistol Pete 

Such fun to paint this. 

Pistol Pete (22×15″) aka Frank Eaton was a fascinating western character who became the Oklahoma State mascot where most of my dads extended  family went to school. 

Painted on Fabriano 300# cold press 

Frank was a Marshall, sheriff and gunslinger who was faster on the draw than Buffalo Bill Cody. He was also a story teller participating in the Oklahoma land rush where he arrested the outlaws who would hide in the Indian lands and dragged them back to Fort Smith Arkansas to face the judge and often hang when it was Indian territory and probably the original person the movie True Grit was based on. 

These are Charles Reid’s paintings of Frank Eaton.  

When there is no model available he paints from old copyright free photos. 

Margaret sneezy and worn out from driving all over NC TN and SC. so much unpacking to do but think I will sofa hug today. Xoxoxo

Day 1026. I know there’s something. 

Bits and bobs from my Charles Reid notes. Standing in endless lines at ingles but heading home after picnic in the park. 

Christina and Brenda 

Ditto. 


Not the greatest Charles Reid. But I drew four or five of these. This was the first I think. Or second. He moved. It at least that’s what I am going with.  

Margaret off to Augusta and her own bed. Xoxoxo

Day 1025 Its Saturday 

But I am not home. Still on the road in Sapphire Valley. The painting of Andrea and Harley the Freisian will have to wait til I get home to finish but I am really tickled with it so far. 

Paper Arches 300 paint mostly Holbein and Daniel Smith. 

She took 2-3 hours to draw. Thought she would never show up. The horse was comparatively a piece of cake.  Initial wash of flesh-Carmine and yellow ochre. Burnt sienna and cerulean shadows. 


I decided she needed some more pink on her cheeks and added some carmine. The shadows of ultramarine blue and the flesh color are looking SCARY. 


The red hair helps but still a little scary. Carmine cad orange pyrrole mineral violet and burnt sienna. A few ultramarine shadows. 

Her top is mineral violet alizarin and ultramarine blue. I let it dry and brushed some washed out cerulean to knock back whites.  


Harley painted with ultramarine blue and burnt umber. Pants ultramarine blue , cerulean and mineral violet. 

I just slapped ultramarine blue and burnt umber on Harley with bits of mineral violet to get that splotchy look on his face. Mane is same colors just not as heavy and a bit of cerulean near the ears.  

Bridle Quin gold, Quin burnt Orange and burnt sienna. The gems cerulean and cobalt violet. The last two colors were also used for the shading on her foot plus burnt sienna. 

I also added some masking fluid to save the water drips. 

Added oxide of chromium to make water reflections on his side and used cerulean ultramarine blue plus burnt umber slapping them on to cover his chest and sides. 


Really liking this painting but going to have to wait til I get home to finish them. 

Margaret hanging out with my grandkids. Xoxoxoxo

Day 1024 Some Charles R class! 

Mari Mac aka Mari McMillan all the way from Hawaii! But used to live in Aiken SC. 

Christine and Brenda. This is our fourth class together. We are the see you in May in Boone at Cheap Joes girls. I think there were seven people we have had class with every year the first week in May  – Fealin Lin Ted Nuttalls and now Charles Reid. 

Off to paint. Let’s see if we can get this one done today. 22×30! What was I thinking painting that big?! Too late now. No going back. 

Margaret sitting on top of a mountain in Tennessee wondering what adventure we will have today. Xoxoxo