Day 2100 Del Del Del

Spent this afternoon wiping out several blog posts to free up some room on my website so I can finally post again.

Chelsea. HP 140 lb fluid. 15×22″

Yesterday’s portrait. May or may not work on the background some more.

A start. First break NO pencil. Shriek.

Burnt sienna and yellow ochre for skin with opera pink. Darks cerulean. Black burnt sienna and ultramarine.

Second break. Big things are off. Added some cad red light to the mix.

Third break. I had to paint a background In to thin her face down. If you notice I actually moved her mouth to the left about half an inch.

Fourth break – I also lowered her forehead – it was too high. Added some darks on the left side of her cheek and on her left temple with dioxzine purple. That side was mostly in shade. A dab of turquoise above her left collarbone just because I felt like it.

Background is Cheap Joes Andrews Turquoise painted with one of his 1″ Golden Fleece flats. Got to get a new tube when I go to Asheville next month or Boone in September. I splattered it with burnt sienna. The grey is a burnt sienna and the Andrews turq.

Margaret off to book club. If you haven’t read Educated read it. Fascinating book about a family that’s a train wreck similar to Glass Castle.

Xoxoxoxo

Day 2099 Key West Parking Lot Rooster

Key west parking lot rooster

He posed for me in front of the Lowes or was it Home Depot where he seemed to live in the parking lot. One gorgeous bird.

Fun to draw lines with it. Think next I will try a bird with my Escoda perlas to paint the bird and finish it with the sword brush.

First pass with the brush. No feet. They faded away somehow. And oh my he needs an eye. I left the eye and the beak off because they would have run into the red.

OH POO running out of room again. Guess I will have to delete some more pics sigh. What a pain.

Second stab at him. Get it it’s a sword brush. Wish I had not added yellow along the top of his head below the comb. I might go back and put some red over the yellow.

Loving the lines but those feet refuse to appear.

Added some more ground and. Ever can resist splatters. Also added beak and eye.

Here he is done. Except maybe add red under his comb?! Soon he will be flying off to a new home after I fix that yellow under his comb.

Charles Reid palette w Vlads Neutral tint. Strathmore watercolor paper 140#. Nice paper. Didn’t buckle at all.

Margaret back to watching Good Omens. Great show on amazon with David Tennant and Francis Dormand as God.

Xoxoxox

Day 2098 More sword play

The male cardinal has made his appearance. Fun stuff slopping paint on with the sword brush. same colors as yesterday.

Loving the abstract quality of these.

Margaret whose off to bed as soon as Zoe comes in. Xoxoxox

Day 2097 Sword brush fun

The picture doesn’t do this bird justice. She just glowed on her white paper in the sunlight on the dash of my car as she rode off to the mailbox.

That’s the sword brush from Rosemary’s Brushes at the top of the photo.

There is no way you can make a tight painting with a sword brush but it does some great line work that is slightly out of control. The feet show some of the line work it can do.

The lines in her hair and her straps were done with the sword brush too. It’s fun to draw with because you can’t control it well.

Cheap Joes Kilimanjaro watercolor paper in a 4×6″ pad. Colors used chrome green opera pink cerulean burnt sienna ultramarine. Think that’s it. And mud from my palette for splatters.

Margaret xoxoxo

Day 2096 Portrait time

Monday is portrait class over in Aiken. Can’t remember our models name. She has. A few issues. Forehead too high. The dent to the left of her eye is too deep but maybe her cheeks too fat. And the right shoulder needs some definition.

First break. She looks like a ghost. NO PENCIL sketch. Eeek. Always makes me nervous. But it can be done. Onward and upward.

Second break. That ghost is still there. I do t seem to make much progress drawing the beginning with paint. And it definitely stresses me out that I can’t erase it.

Third break. I get tired of poking about and slap the paint on.

I lifted bits of white to the left of her left eye but think it may be a bit too much. So I will stare at her a while and decide.

Colors used. Charles Reid palette. Used a lot of opera pink since she had a rosey glow with a mix of cad red light and cad yw light for flesh. Cerulean cobalt peacock blue burnt sienna on the face

Hair is a wash of cad yellow light first. Then yellow ochre burnt sienna cerulean mixed with burnt umber and finally cobalt mixed w Burnt umber. Her hair like a lot of blondes has a lot of greys in it cerulean makes a great grey.

Oh and that black dot on her right cheek is NOT a mole but where I touched it w my dirty pinky knuckle. Sigh.

Top is yellow ochre burnt umber alizarin and cad yellow light.

Margaret who has a headache from stressing over the painting. What we do for fun. But the sinister grunge seems to be gone. Hurrah. Xoxoxox

Day 2095 Crud that keeps giving

Or is it just stopped up sinuses. Either way. Yucky. My bird drawing craze goes back at least six years or more. Some early ones.

Parking lot seagulls probably in a Strathmore mixed media. I draw better birds now. All these were drawn while watching the birds.

Chicken chasing Parrot rescue in Pigeon Forge Drawing pelicans before we eat at Key Largo – Buzzards Roost. May be there soon hurrah.

Key west ibis from the Key West Wildlife Rescue. Love

These guys. They magically show up in droves when Lloyd the bicycle tour leader comes because they know he has snacks for them.

Love the ibis hmm and the chickens and the parrots and hmm I love drawing birds. Parking lot seagulls were lots of fun too.

Margaret year Xoxoxoxo time for Endeavour.

Day 2092 Phillips Collection

At the High Art Museum in Atlanta is fantastic. Each painting a jewel.

Degas My favorite in the whole show.

According to Phillips the best landscape painter ever. I concur. Oskar Kokschka

Bonnard a Charles Reid fav and mine.

Another very large Bonnard

Poussin A Fav since college and evidently a Phillips fav

Daumier Such expression and energy 1848

Degas and his dancers I would keep it!!

A wonderful but dark Matisse Mad Fauvist that he was

Caezamne self portrait often compared to Rembrandts as well it should be. Powerful

Monet incredible ethereal to thinly eh great man touched this canvas

Van Gogh never met one I wouldn’t keep. If only I had been at his funeral I could have gotten one free.

So if anyone has a spare $100000000 would you buy one for me please especially the orange Degas. I have just the wall for it.

In the meantime I will drool over the show catalog and postcards from it.

Hurry and go. This exhibit is just marvelous like a who’s who in European Art from 1800 – 1930. Every one a show stopper and this is just a fraction of show. Ends July 14. I hope to make it back there soon.

Margaret ready for bed. Xoxoxo

Day 2089 Chelsea

15×22″ Spent two and a half hours chasing Chelsea as she would turn from full frontal to the right. As soon as she relaxed a little she would loose the pose because she was twisted in her seat.

First break. NO pencil. 😵😵😵Rough block in on Co fluid watercolor paper. 140#. The paper is really a bargain for great paper. Six full sheets for $24 on amazon. Always dries just about flat no matter how soppy wet I get it. Second break not making a lot of progress. Adding more darks and the blouse. Lack of progress I think that was due to the continually rotating head. No excuse for that left eye. But an easy fix on this hp. Most hot press would not let you move it at all. One shot and you are done. Last break. That left eye shoot me. But I brought it around. Add more darks to the hair which was ultramarine and burnt umber or van dyke brown. Also I didn’t want to get the shadows dark since that would age her. She has quite a very young face. Deep shadows age people in portraits especially babies. For now. I have a to do to her list. May or may not do them. BYTW her blouse was painted in two shots with my size 16 Cheap Joes sable. First was a glaze of very watery cerulean and burnt sienna. Then after it was dry lines of the black hair mix.

Colors used Quin gold French yellow ochre burnt sienna burnt umber ultramarine cerulean vandyke brown. A hint ifocad red light

Margaret ready for a nap. Xoxoxox

Day 2086 St Maclou

Saint Maclou Église is looking close to done. Hurrah. Because I don’t feel like painting today. Sharing the pics of the process so far I darkened the sky in this one w a mix of cobalt and a dab of Vlads neutral tint.

Built in 1436 or should I say started, St Maclou is a late gothic style known as Flamboyant. It’s over the top in its frills. Gleaming in the sun it looks like a large wedding cake.

Before I darkened the sky to make St Maclou pop. I also added a red orange mix – cad red light and cad yellow light – to the church door to demand your attention. Aka focus your eye. Still needs a lot of work on the left building but thinking right buildings may be done. Adding the people. I used Cheap Joes Andrews Turquiose and cad red which are opaque colors to make the jackets stand out all of which I dry brushed on taking advantage of the opaque color. adding details and detail washes on buildings. detailing buildings Dumped my photo into waterlogue to see if it would have a clue or two on how to paint. Love the red building but it would detract from my focus the church. Have always thought this could make a great painting. Rouen Cathedral in waterlogue. A free ap that turns your photos into watercolors. Sometimes doing s great job sometimes NOT. The sketch which took forever. Drawing on rough paper is NOT easy. especially when you want alot of straight lines.

The sketch I did of St Maclou when I was in Rouen in the square sitting in front of the Église aka church in a drizzly rain like today eating a meringue from a nearby patisserie. Of course not all the people were there at the same time. I just added them as they walked by. Then finished drawing the background houses. the medieval house on the right is the one to the right of the church in my larger painting.

Another artist painted St Maclou back in the 1890s. He turned the square in front into a fairytale story book like setting.

Margaret hoping she gets busy soon. So many paintings to paint and then there’s the house that needs a good cleaning. xoxoxoxo