I drew this the first time the first trip I made to the High Museum to see the European Masters. What a show!! Can’t rave about it enough.
This was his original. About 5×7 feet. Mine is tiny in my Stillman and Birn Zeta which is 6 x 9 1/2″.
The orange is cad yellow and cad red light.
Brown is sepia which I roughly brushed With the side of my Escoda pearl brush while the orange was still wet.
Blue skirts are cerulean.
Outlining sepia done with my Vlad sword brush.
Flesh same as the background different proportions.
Hair sepia and cad red light.
Margaret ready for bed but having to stay up till her experimental blueberry orange pound cake cools wondering WHY my blueberries didn’t mix in like they should. Most ended up on the bottom of the pan though I coated them and folded them in to the cake. 🤔🤔🤔☹️xoxoxo
When I was home I spent a lot of time looking for a sketch of Kate I did a while back. Finally found it in the FIRST palace I looked. And I looked there several times. How did I miss it. Now to get Miss Kate painted. Time is running OUT!!
Monday is portrait class over in Aiken. Can’t remember our models name. She has. A few issues. Forehead too high. The dent to the left of her eye is too deep but maybe her cheeks too fat. And the right shoulder needs some definition.
Third break. I get tired of poking about and slap the paint on.
I draw better birds now. All these were drawn while watching the birds.
Parrot rescue in Pigeon Forge 
Drawing pelicans before we eat at Key Largo – Buzzards Roost. May be there soon hurrah.
At the High Art Museum in Atlanta is fantastic. Each painting a jewel.
15×22″ Spent two and a half hours chasing Chelsea as she would turn from full frontal to the right. As soon as she relaxed a little she would loose the pose because she was twisted in her seat.
First break. NO pencil. 😵😵😵Rough block in on Co fluid watercolor paper. 140#. The paper is really a bargain for great paper. Six full sheets for $24 on amazon. Always dries just about flat no matter how soppy wet I get it. 
Second break not making a lot of progress. Adding more darks and the blouse. Lack of progress I think that was due to the continually rotating head. No excuse for that left eye. But an easy fix on this hp. Most hot press would not let you move it at all. One shot and you are done. 
Last break. That left eye shoot me. But I brought it around. Add more darks to the hair which was ultramarine and burnt umber or van dyke brown. Also I didn’t want to get the shadows dark since that would age her. She has quite a very young face. Deep shadows age people in portraits especially babies. 
Margaret McCarthy Hunt Art 