Day 345 – That Paper!!

 Gets five Gold stars in my book. 

 as I said yesterday I bought a landscape tablet of Aquabee Super Deluxe paper when I was at Binders at Ponce Market in April. Great store!! How often have you had an art store manager ask you what you would like to see carried in their store?! Told her a class with Charles Reid. I hope I hope!! 

Anyway I had read in David Millards great watercolor books about Super Deluxe Bee sketchbooks.  These books are 140 pages each just packed with information on watercolor. The price can not be beat. $4 or less on Amazon. Why do you ask?! The books are from the early 80s. The author died in 2002. Sadly I can’t take a class from him. He is big on sketchbooks big lots of tips on drawing crowds and buildings. The man knows sketchbooks. His favorites took all the water I threw at them and flattened out when I was done. Rare in a 93lb paper. And reasonably priced.  Amazon has the big 11×14 listed for $22 and full price is $25 for a 100 pages!! I am stopping by Cityart in Columbia on my way to Charleston to pick up an 11×14 for Dr Sketchys  and a smaller one to take to Key West in July. And maybe a tube or two of paint. Last week Randy the owner had Holbein paint half price. Why didn’t I order some?!  Cityart is the store that Charles Reid  and Mary White use to supply their classes. Great store down in the Vista. They also have a great website and shopping is almost overnite and so reasonable. 

I drew this last April in my super deluxe bee 6×12 landscape book with my Kuretake brush pen from an overlook in Gatlinburg. Never quite got around to painting it. I was too tired from all the running around. The brush own had loved the smooth paper.  Would the watercolor?! Despite what Millard said I am always a sceptic. And as Roz Stendhal says one thing you can count on is that paper will change. His books are 30 years old. 

Thank goodness he was right. I lost count of the washes I threw at this paper. Big watery wet washes layer after layer. While the paper buckled a little as I painted it was almost perfectly flat when it dried!!!  Hallelujah. A 93# paper that dries flat and doesn’t cost a fortune?! 

TIP!!! Bytw I started  the lower hills with a wash of light yellow Aureolin for the trees and gradually darkened it with very watery layers of red for the red oaks in the spring and darker greens and blues and mineral purple. Really like using the mineral purple as a dark. Using lots of layers of this colors let me keep the colors transparent. Aka didn’t make MuD!! Sky is a couple of layers of cerulean.

This is another sketch from the same overlook up in the Gatlinburg bypass. I meant to fill in the town but never did.  It started raining. It rained a lot the week we were in Gatlinburg.  And the pen ran out of ink. My kuretake converter holds a drop of ink. I swear. I did later find cartridges of platinum carbon black that fitted it so now I am good to go. 

Another plus for this paper. I just realized that the Pentel brush ink supposedly permanent but so often runny in my Stillman and Birn zeta did not run on this paper when I went back over the lettering and decided to add yet another wash. Hurrah. 
Thanks for reading. 

Margaret who needs to get packing!!!xxx

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