WIP Paris Cafe

Hahnemuhle 140# half sheet

Wishing I was sitting here having an espresso followed by a croque monsieur. For now. Too tired to work on it anymore today. Not crazy abt the people but then that’s not new. Paint along with Vladislav Yesileyev
Vlads value sketch
First wash yellow ochre alizarin and cobalt Cad orange.
And the rest of the first wash. Cad red light, cobalt teal, cerulean w neutral tint yellow ochre and dioxzine mixed in. Funny how light the left hand buildings look now
Adding details and that darn motorcycle
Windows going in. Same colors
The shadows added and MORE windows So many windows 
Starting to look done.
And now. Time to put my feet up. Color me tahred. Xoxoxox Margaret

Strawberry Time

So good. It’s terrible to have a fresh strawberry stand less than two miles from my house. And lots of other good fresh veggies like corn -delicious- and fresh local spinach and lettuce to name a few.
Most beautiful fresh onions I have ever seen complete with tops. Pulled that morning.

I left the house with $20 in cash in my pocket. by the time I went to pay for my items it was gone. No check and they do not take credit cards which I had plenty of.

A very kind man paid for mine when I told the lady I would run back to the house and find it or a check. Wow!! Thanks mystery man. His story is the pencil writing in the background. Had to commemorate the event.

Anyway Stillman and Birn Epsilon or hmm is it a Beta? heavy paper compared to the Alpha that I usually use. Uniball micro pen. American Journey watercolors.

Margaret xoxoxoxo

The boat has sailed

15×20” Hahnamuhle 140#

I actually like this so far. The morning will tell. Paint along with Vladislav Yesileyev

The value sketch
The photo
First wash

Yellow ochre cobalt and alizarin This layer will eventually disappear or appear to be white.

Sky wash cerulean instead of cobalt. Otherwise the same colors. Yellow ochre alizarin and neutral tint
My terrible blotchy trees that I dry brushed. Colors cobalt Dioxzine purple yellow ochre for the purple color. Indigo and cad yellow w a bit of burnt Sienna for the greener colors.
Well zap a lot more done. Too much to tell u even a bit abt it but omgoodness that dinky little boat.
Fixing mistakes. Well trying to. Adding blacks to the trees.
And done for now. So glad those overhead branches hide my terrible rigging on the boats or the blotchy trees. Thank goodness. A reprieve.

Margaret ready for a nap after four hours of madly chasing after Vlad today. Eeek.

Xoxoxoxo

Somewhere in Italy

So far 15×20” hahnamuhle rough 140#

On the whole I like it but feel it’s a little light. I will sleep on it and decide. Paint along with Vladislav Yesileyev

The photo
The sketch
Even before painting I managed to smear the worst color of all to remove- Alizarin- on my lovely pristine white paper.
Eeek.
I did blot it off a little. By the end it seemingly became much less noticeable. Thank goodness.
First wash. Boy that took forever. While it looks dark right now it really dried to become very light. cobalt alizarin yellow ochre and cad orange
Sky wash done. I managed to keep my fingers out of for once. Cerulean neutral tint dioxzine violet
Adding shadows. Cobalt yellow ochre dioxzine and neutral tint
Suddenly those darks make the first washed look so light. How strange is that?! The blooms aka rocks on the foreground are made by splattering water on the greys once it dries a bit.
And done for now. You can only see a bit of the alizarin smears. Handy the lady has an alizarin top isn’t it!?

Margaret all in for tonite. Michael’s tomorrow for some fixative I hope. Otherwise waiting til I go to Blick this weekend.

Xoxoxo

Tweet Tweet Twice the Fun

A fun ink and watercolor sketch of a sparrow. My fav kind. Wet on wet splattering. Been in Jackson Pollock mode splattering and slinging paint. .
And I did two because it’s twice as much fun. Lamy EF Carbon Platinum Black ink and a permanent fine liner.

Thanks for looking.

Margaret xoxoxo

Blue Bell time

About 15×15″ rough Fabriano 300# mixed media. Goauche Watercolor and pastel.

Who would have thought that would ever be a combo you would use together but LOVED the technique the speed and the splashy fun.

Spring bluebells at Castle Howard

Got a little carried away making lines with my sword brush but who knew it made those long splatter marks. Load a sword brush with a lot of paint and water and sling it and you get stripey lines like on the bottom right.

I had my splatter all over the floor feeling my inner Jackson Pollack and the tv and the table and goodness knows where I will find it.

Cobalt and alizarin I think. Oh and cerulean. This was just using a regular brush making lines rolling it. Who knew you could roll a paint brush to make marks?!

Adding greens by making them. Viridian and yellows for the green more splattering and slinging paint

Adding pastel to the trees abs blue and green pastel to make shadows and marks. Then white gouache mixed with yellow. Last thing I added was some cheap Joe’s American Journey sky blue mixes with white gouache. I may go back and add some Andrew’s turquoise mixed with white gouache too and some blue & purple pastel. Maybe

If you ever get a chance to take a class from Robert Dutton do. The man is a wild man with ideas popping out of him like a pot boiling over. Taking a three hour class from him next week. Can’t wait. Had to order some new soft pastels for it from Amazon because we don’t have an art supply store anymore. 😩😩

Margaret xoxoxo

Over the hill

Rather like this. Might be my fav watercolor I have done lately.

Quarter sheet Hahnamuhle Cezanne 140#

Took a fast 1 hr class with Graham Booth sponsored by Shopkeeparty as an ad for his longer paid class next Th. You can also purchase a downloadable video of the session too and have permanent access to it. As I said John at Shopkeeparty is doing a great service to the art community. It was posted on YouTube today.

I have followed Graham on YouTube for a while and do like to paint along with him when I have time energy and like his subject. The videos he posts are shorter but still interesting.

Graham lives in N Ireland. At what other time could you be in Ga and take a class from someone live in N Ireland?! Zoom makes it possible.

The photo. Somewhere in Scotland but could be in the Blue Ridge so that’s what I am going with.

First wash. Sky way to pale.

Always amazed at how it changes when you add some darks. Mix of quin gold and ultramarine. I think.

Hmmm🧐🧐

Splat the buildings were done. Some of the foreground. Cad red on the roofs. Burnt sienna ultramarine for greys. Ultramarine and alizarin for the purple. More green in the foreground. Splattering red for flowers and I think yellow.

And then we were fine. Adding a few shadows and more darks in the foreground.

Zoe telling me to get up yesterday.

Ttyl Margaret xoxoxo

Field of flowers

You know one of the things That is a good side effect of the pandemic is all the zoom classes with famous artists that you could never afford to take from in person. And no travel. Do it at your favorite painting table. A win win if there is one in this hideous pandemic.

Today I took a class with Keiko Tanabe on shopkeeparty.com. she just zips along. This class went alot better than thenlast one I took with her so I may do another.

Quitting now. I worked on my sky a bit. And splattered a lot with white gouache, cad yw, opera, and some Joe’s Andrew’s Turquoise. Softened a few edges. Lightened a few spots that had gotten too wet to paint the bushes on and gone dark.

The photo

Will try again with a different building on Hahnamuhle rough instead of Kilimanjaro cold press. Let’s see how it does.

The sketch. Not much to it is there?! Kilimanjaro 300# cold press.

First wash. Dry brushing once I remembered to. Oops. Scratching in the field a bit. And splattering the green to simulate followers. The sky omg. Puffballs. Eek.

Progress. Using my cheap Joe’s Scroggys loose goosy, a kind of saber brush, to paint the flowers – all those lines. It also makes great hair, branches and sometimes telephone lines.

Adding details and darks. Trees and bushes. It was still to wet to do a lot of these but I plowed on chasing Keiko.

NEVER drink espresso Before Doing phone lines. Wobbly lines. Sigh.

Finally remembered how to dry brush trees. Added some neutral tint and some yellow ochre and alizarin to the sky. More cobalt too.

Thought it was done. But eeek. That hard edge under the house bushes. Had to wipe them out some.

And done.

If you are interested in taking online classes. Shopkeeparty.com offers all kinds of art classes twice a week. Every Tues am there’s a one hour one that is free to the public on YouTube. There’s also an extensive backlog of videos on YouTube all free for the watching on Shopkeeparty. John Harrison who runs it has been doing these for a year now. Another COVID benefit. He’s in England. His artists are all over the world.

Margaret xoxoxox who should sell some art to pay for the expensive sliding door that’s getting g replaced. Salesman coming today. Eeekk.

Monday can be Funday too

Looking at this boat makes me smile. Love the silly birds on top. Clyde and co!

The photo. I was trolling YouTube this am and discovered an Ian Fennelly paint along and I thought way more fun than listening to NPR and doing the Aigusta National golf club.

And I was right. Always fun to listen to Ian natter on. This is an old sailboat on the river Dee in Cornwall. Something about the river isn’t there anymore just the marshes?!

Stage 1. The pen layout.

Stage 2. Drawing the boat and environs with a Tombow fine tip end. A number 65 I think.

Stage 3. Coloring the boat w tombows and fine liners.

Stage 4&5. Color added then some more marker detail. Also the silly gulls. Limited palette Ultramarine, Burnt sienna, Orange, green gold, white gouache.

Margaret who almost forgot to post. Xoxoxox

Sacre Couer

Sketching Paris – Sacre Couer which sits on the highest point in the city and can be seen from all over the city. There are a few tweaks coming sooner or later.

The photo.

Step 1. Lay out pens on your paper at the angles you will draw the buildings.

Step 2. Drawn with a very light Tombow on 140# hot press Fabriano 15×20″. Delicious paper. Sometimes I think it would be easier to start these off with a pencil. Then you can erase the inevitable oopseys.

Step 3. Ink it with a .03 permanent fine liner adding a few more details.

Step 4. Watercolor layer. Only four colors used. Ultramarine, cad red dark, burnt sienna or quin sienna and cobalt teal light.

Step 5. Adding more Tombow and darker tombows including black.

Step 6. Adding more details! Using the permanent fine liners. .03 .02 .01 And a bit more Tombows.

Step 7. And last add a bit more watercolor. And a few more splatters. I do love splattering.

That’s a wrap. The last Sunday Funday with Ian Fennelly. Ian’s been a very busy boy during the pandemic offering a ton of classes in Studio56Boutique.com.

Margaret tucked up in bed. Xoxoxo