Sailing down the Dee

An old derelict boat on the side of the river. Today in my inbox there was an email from Etcher.com to pay $5.50 for access to drawing a boat with Ian Fennelly. I was willing to throw five dollars away in case it was bad. Well it was and it wasn’t. NO PHOTO to draw from. What the heck. So I went to Ian’s IG feed and did a screen shot.

The video also did weird things. I watched it in a window a little bigger than a postcard. If it restarted once it restarted four times. Never going back to where you were. Groan.

Here’s his. Love the silly birds. Seagulls of a sort.

First thing u do is lay out the shape using markers to fix it in your mind.

Then you draw it with a midtones grey tombow. I think this is a 25.

I finally made a key to the shades of my nine shades grey tombows. Got tired of opening each of them up.

So I got bored and went ahead of the video. The video was very cumbersome. If you had to restart it always went back to the beginning. WHAT?!!

My footprints got out of control. As a friend quipped they looked like elephant tracks. Eeekk.

What to do what to do. So much work and a massive screwup.

White pentel gel pen to the rescue. I may add some white watercolor paint to it also.

Here are all the pens. The tombows and pentel permanent liners. Mostly used the .3 on this piece.

Margaret watching Haregan and Oprah. Not sure I will stick with it. Hmmm. Xoxoxo

A Quick Trip to England

To draw the Harp Inn on the River Dee with Ian Fennelly and Sketchbookskool. A lot of fun but like chasing a greyhound painting with Ian.

The photo. The Harp Inn, Little Neston, England near Liverpool has quite a history including coal miners getting stuck here during floods from the River Dee across the street. The interior is on Yelp and looks quite interesting. Ian said the building was more than 200 years old.

Really wanted to do this view with the great Harp sign but hard to change from what the teachers doing without getting confused.

A quick sketch with my light grey Tombow pen – the pointy end. The lines are all slightly tilted. Nothing is square in the drawing though in reality the inn is square aka plumb.

Adding ink with my .5 pentel permanent pen. Don’t know where my thinnest one has gotten. Oops.

Laying in some watercolor. Got a little too dark with the ultramarine and burnt sienna on the roof at this stage. Ultramarine, Burnt Sienna, Yellow ochre, a dab of cad red and cobalt teal.

Painted with a 1″ flat and a rigger. Yes a rigger.

Using various grey tombows to color in the letters and other darks. Then a .3 pentel marker for line work and cross hatching.

I lifted a lot of the dark sienna and ultramarine off the house. Even though this is hot press paper the fluid paper is user friendly and lets you lift some of it. It even let me lift some of the pen when I took off the paint. Oops. But that was permanent ink. Not something u can usually lift.

I added a lot more crosshatching. Also since this house is daub finish dots all over with anything I could make dots with. Winsor Newton watercolor markers. Yellow ochre and turquoise. More line work with the .5 and .8 pentel pens and the uniball micron pen.

Now I am tahred. The kitties and the puppy want my attention. Margaret Xoxoxoxo

Around the World in 60 Seconds

Drawing each icon of their country for 60 seconds each with Danny Gregory today on YouTube. He had a slide show of each of the icons that let you view it for 60 seconds. Then on to the next one.

Quite the challenge. Also trying to get them all on one page was a challenge. Eeek. And no time to plan. Double eeek.

So not bad considering EXCEPT the first time I didn’t realize it was suppose to be on ONE page. I used SIX!!

These are quite large. The sketchbook – a handprint journal is 5 1/2x 8″.

This set was drawn with my pentel brush pen which is always fun but makes a big thick line. I only used two colors. Quin gold and cobalt teal. Together they made a great mucky green.

So second time around I used my Namiki fude. Love drawing with them making thin or thick lines easily. Check out the weird tip on it. Does a great job.

No I didn’t cheat. I didn’t pause the video either time except to get the dog in. And then I started it right back up.

It’s time for pot kitties again. They have grown a lot. Halley looks gorgeous with an orange glow from the sunset on her back.

Margaret xoxoxo

Every day a sunrise

Making mist in the blue ridge. Arches 280#cold press. Cheap Joe’s American Journey paint.

Took photos of the process today. But it might be easier if you wanted David R. Smiths YouTube videos. This is the short one. Then the longer more involved one. Or you could sign up for his online class next Tuesday. Should be fun. His students give him rave reviews.

First layer wet the paper add yellow sun red ring and cobalt. Spray it with a spatters spray. Dry it.

First row of trees. Wet under the trees and spatter again. Lift some color form the bottom w a thirsty brush. Aka dry brush which will suck up the paint making the mist. Dry after the colors run and mix.

Repeat on the left.

And so on and on. Repeat repeat. Repeat. Getting darker with each layer. Load bottom of trees w water. Paint the trees. Spatter tops w water. Lift some off bottoms w a thirsty brush. And dry.

Last layer is the darkest. It’s wet here.

I lifted some with my thirsty brush and this one is dry.

Crash and burn

Go round 2. Misty Mountains arches

Watched a free YouTube video on shopkeeparty with David R Smith this am. Very interesting technique. Uses lots of water. Wiping spraying letting colors run.

This was go round 1 on Kilimanjaro. I used too much alizarin and could not get the ring to lift. Oh well.

Too tired to type more.

Margaret putting her feet up. Xoxoxo

Wild and Wet

Winter Petersburg: Blue bridge, Moika Embankment

With Tatiana Asinismova. She was speaking Russian and was on St Petersburg while Vlad Yesileyev translated. When his internet went south his wife Marina who is in Moscow visiting family stepped up and ably continued translating.

This painting was done completely wet on wet using Paynes grey, burnt sienna, sepia, cad yellow, yellow ochre, white gouache. Period paragraph. I added some ultramarine because there was no blue in my Paynes grey.

Draw fast the paper is suppose to be being soaked. Times like this all the sketching I do comes in handy.

Soaked both sides of the a half sheet of 140# Kilimanjaro cold press paper first w a hake brush. No taping. Cheap Joe’s American Journey paint.

A few swipes of yellow ochre. Next we used a cat’s tongue brush loaded with layers grey. Swoosh swoosh the sky was done.

Dabs of burnt sienna across the horizon line.

Smidges of black verticals. Hmm what are those?

Next knocking out the bridge all the while painting into this wet morass. Burnt sienna and paynes grey.

What are those things poking up we are painting?! 🤔🤔🤔 A light!! Zip zip done. (It’s really pretty straight but the paper has a ripple because some sunny stood it up and let it dry standing up making a ripple. Duh!)

On to the river and the snow. Oops I didn’t draw it so I winged it. A little rewetting of the paper. Very interesting making the light and dark areas, fuzzy and sharp edged.

And don’t forget to leave some ice chunks.

Painting the right hand side of the bridge. My least fav part but we soldiered on. Burnt sienna and Payne’s grey. Are there any other colors?! Oh a dab of ultramarine. Splatter splatter. Paint faster. Splatter with white gouache.

Finally use a tooth brush loaded with white gouache to make the snow. I am sure there are 89 YouTube videos on how to do this. Looks just like snow. Hoping this is as close as my house will get to snow this year.

Tatianas class sample. You can follow her on Instagram at Tatianaasimova6056

She’s also teaching a class with Vlad Mar 7. The painting will be similar to the above photo. Can’t wait. Click the link to check it out.

If you want to try this technique Vlad or Marina is going to post this class on YouTube soon. Was really so much fun. I love splashing paint about. Paint flinging c’est moi!!!

Margaret exhausted because she finished another painting today too but that’s for another day. Hugs. Xoxoxox

That was fun

Took an online live class with Ian Fenelly. I have long wanted to take a class with him but never been where he was teaching. I have to say with ten years of public school teaching under his belt he’s an excellent organized teacher.

There are some pluses to the pandemic. If you haven’t tried one or two you should. shopkeeparty.com offers something for everyone. The photo Winsor Castle.

Starting the sketch with light grey tomboy pens on hot press fluid paper. A half sheet size.

Since Tombows are water soluble it is a great idea to use permanent markers on it to show details. The idea is to make an exaggerated perspective using some lines that are square but most not.

Watercolor layer done. Quin gold, Thalo blue, burnt sienna and andrews turquoise.

The markers and some of the paint brushes.

Adding details with the grey tombows. It was getting a lot of fun to do at this point. The fact that it did not all have to be exactly in perspective was freeing. Who cares if a line wobbles here and there. That’s part of the fun.

I added a lot of cross hatching per Ians direction. Done for now. Now it’s time to look at it for a while.

The bit of sky was added because I had some grey mess of Tombow that I couldn’t cover up any other way.

I recommend a class on Shopkeeparty.com. Thursday Keiko Tanabe is teaching. Will be scratching her off my bucket list come Friday. And next week Liz Chaderton is doing a very fun otter class. Once a week they offer a free one hour demo paint along on Tuesdays. I meant to do the otter with Liz today but got up too late. No sleep last nite. Might try it tomorrow when it’s on YouTube.

Margaret ready to put Her feet up and stare at her painting for a while. Xoxoxox

Fly away to Old Havana

Old town Havana Paint along with Vladislav Yesileyev. Fabriano 300 lb rough paper which I have decided I now hate. It kept holding edges. Put paint on and there was a hard edge. What the heck. It’s not suppose to do that at $16 a sheet. This is a half sheet.

The photo

Vlad’s value sketch.

The drawing and what a pain it was.

First washes just three colors yellow ochre alizarin and cobalt blue.

Midtones. Adding I burnt sienna neutral tint dioxzine purples cad orange.

Adding darks. Burnt sienna burnt umber ultramarine vandyke brown

Almost there.

Done doe now. Who knows what it will tell me in the am?!

Margaret tired of looking at it.

Here Kitty Kitty

A Torbie aka tiger cat w orange on it. Took an online zoom class with Liz Chaderton on shopkeeparty.com the photo

Tacking the paper down. A half sheet of Kilimanjaro 300. Have to order more from cheap Joe’s.

The drawing You would think as many cats as I have drawn this would be a piece of cake. Nope.

The palette opera rose, perlene maroon, gamboge, Quin gold, Thalo blue, Cheap Joe’s Andrew’s turquoise, and ultramarine blue. My fine mister spray bottle.

The eye first. Painting wet on wet. Keeping the edges wet so they won’t get hard edge.

Starting to look like a cat. Trying to keep those edges wet. Eeek

painting fast w an 8 sable to keep the edges soft. A fine spray mister to soften edges of ears.

Almost done. Adding the dark layer.

Touch up time and then add whiskers with negative painting and white gouache using my saber brush. Hmm I actually used my loosely goose brush from cheap Joe’s a skinny saber brush.

So far for now. Let’s see what I think in the am.

Big thanks to That’s What Friends are For for $30 certificates to spay neuter and rabies shots for the kitties and to Dr Bagshaw and his fantastic staff at Edgefield Veterinary Services for doing the job for that price. I took them some fresh home made banana bread. Still have to catch one of the tigers and take her.

Margaret whose kitties are mad at her since she had them neutered yesterday. Three sore tummies and one sore bottom. Ouchie. Xoxoxo

Parges, France

Near Paris. 12×16 arches 280cold press. Did a wild hour long paint all with Vlad Yesileyev at shopkeeparty,com. Also on shopkeeparty’s YouTube if you want to give it a try.

The photo

The sketch

First wash

About an hour of painting. Adding darks. I actually painted the people with my brush aka I didn’t draw them first. I think they are some of my better people.

Debating with my self when is it done.

I never know when to stop but time to add some calligraphy marks with the saber brush I think. Feeling totally uninspired.

And as she is now. She may get more torture tomorrow. We shall see.

Have to capture all five kittens and take them 30 miles to Edgefield to get them neutered or spayed. What happens if one runs. I guess I can always schedule another trek to Edgefield.

Margaret xoxoxo