A few more scribbles

April 1, 2023April 1, 2023Leave a comment

Not what i meant to post today. have another painting to pour half way done but got sidetracked spring cleaning. Exhausted i noticed a sunflower volunteering from the bird seed out the den window and drew it.

My silly tortie kept begging for kitty snacks instead of letting me take a nap when i was slowing down. She was below me on the floor so this is a wonky drawing.

Tried out two new pens today that some people recommend for sketching. All are supposedly waterproof. I just felt odd drawing and writing w the bic and the zebra. I dont think the lines are thinner so will stick w my fav uniball micro pens.

Interesting recommendations for your ig feed to improve it from a woman who has a zillion followers. Thinking abt taking her class at the end of the april. Obviously she knows something i don’t know.

From Dina Brodsky! Her Ig is @ dinabrodsky and she has 772000 plus followers! So she must know what she’s talking about!!

Today, a few thoughts on your bio.

Why your bio is important and how to optimize it

Instagram is the platform of choice for the art world, and most galleries, collectors and critics will look at your instagram account before they look at your website or CV. Most people’s first impressions are formed instantly, so the first thing to do is to make sure your account is the best possible impression of you as an artist.

Your name/handle: make sure this is what you want to be known by in the art world. I would suggest sticking to your actual name, or, if that’s already taken, Yourname_artist, yourname_paintings, etc. Since this is your professional account, keep it professional, rather than charming/whimsical/clever.

Your Profile Photo

Since most people are looking at instagram on their phone, your profile photo might be too small for them to make out. That being said, make sure its a photo of your art, you, or you and your art.

Your Bio

This is a place to say a few words about yourself as a person and as an artist. Also, a place to direct people to what’s happening in the link in your bio, which is the most important part of your profile

Link in bio/website

Why it’s important:

This is the only place on Instagram you can place a live link. This should be the place you direct people to the most important thing happening in your career at the moment – your next exhibition, a write-up in a major publication, or something actionable like a workshop you’re trying to fill or a studio sale.

Why it’s really important:

Did you know that the Instagram algorithm puts a disproportionate weight on whether people click on your link in bio? This means that if you direct people to the link in your post/reel, and they click on it, that post will get prioritized by the algorithm and become visible to more people.

DON’T put lots of links in your bio with tools like Linktree. Less than 1% of your audience will click your link–send them to the ONE place that’s most important to you.

Pro tip: if you do want your link in bio to direct people to several places, don’t do it via Linktree, Lnk.bio or other third party apps. Instead make a Links page on your website, like this: https://www.dinabrodsky.com/links

That way you are driving people to your website instead of a third party app.

Dina
Insights For Artists

Dina Brodsky, Boston, MA

My Husband’s Cat

March 10, 20234 Comments

Pumpkin 300# cp Fabriano Artistico may be done. Shes aging right now.

The paper masked and first pour of a variety of purples and blues.

Second pour.
I also added some burnt sienna on the left.

Biggest decision. How to paint all that fur and keep it soft?! 😵‍💫Found a Liz Steele @lizsteelart post on instagram where she used four colors today all of which i happened to have -Daniel Smith French Ultramarine Blue, DS Buff Titanium, DS Monte Amiata and DS Red Iron Oxide which i thought would be perfect for Miss Pumpkin. This is my test page in my Stillman and Birn Alpha. Lots of wet on wet for the fur test.

Before i stripped off the masking. Not a big fan of masking. You have to soften alot of edges after you remove it.

Lots of sharp edges now on her face. I had to lift out some of them by rubbing them w a nylon flat and remove the rest of the masking.

And here she is now. The watermark lettering does not show like that when you look at the painting. I also had tto wet the back of the paper toto wet the back to try to flatten the paper which was

Margaret xoxoxoxo

My Husband’s Cat

March 10, 2023April 1, 2023Leave a comment

The cat masked. I drew the whiskers and the furry hairs on the left w a fine indian ink pen. It can be a bear removing so much masking. Lots of rubbing required.

And here she is now. The watermark lettering does not show like that when you look at the painting. I also had to wet the back of the paper to wet the back to try to flatten the paper which was anything but flat when i was done.

Margaret xoxoxoxo

Another day

March 2, 2023Leave a comment

You got it. Another drawing. This time of my sweetie.

Calling this “A Good Book”
Watercolor pencils in my superaquabee. 6×9”

Margaret exhausted from her allergies. Yes the yellow pollen is flying early in Georgialina. Sigh. xoxoxoxoxo

Take two on court reporter

February 25, 2023Leave a comment

Alex Murdaugh take 2. Now I am tired. Watercolor pencil superaquabee sketchbook

The pencils. The loose colors are the ones i used alot. I mostly use Faber Castell and or Inktense. Better get them sharpened for Monday.

Maggie henceforth known as Mags ready for bed. hmm never heard that as a knickname for Margaret. Xoxoxo

The Great Mary Whyte

January 23, 2023Leave a comment

Have finally had the honor and privilege of taking classes with her. I don’t think you can ask for a better hard working sharing teacher. If she knows it she will tell you.

Mary Whytes painting. Took her an hour and a half. Not quite a half sheet

Outside of a college art class the atmosphere is hard working and on your toes kind of environment. Lecture and Mary painting in the am then it’s your turn. If you work hard u can turn out two paintings in one day. Since my rotator cuff is shot I didn’t try that in the second class.

Full sheet Arches 300# done in Mary’s class in St Simons. Of course I can’t remember the lovely models name. No doubt in my notes.

The first one I took from her I did a full sheet in under two hours. That’s a lot of fast painting. Since the studio floors were concrete as I told Mary I limped out in both feet. OUCH. But I would do it again if I had too.

The sweet UGA student who modeled and played the guitar. Last time I will use fabriano. Sucked up the color like a sponge. I gave it to him and he was delighted. His dad Ken was our workshop helper and they were both delightful.

Mary’s painting. Oh so much better than mine. I am always tight on my first attempt in a class.

Painting #1. Tight but not as tight as the guitar player

Second time I sat. I really don’t like to and the floor was wooden BUT I didn’t want to limp the blocks to much car after class so I sat.

A quick sketch of Teesha. Something I do during class when I take notes. I listen better.

So since Mary says the secret to painting is to paint I signed up for a two day class in Charleston with her at Gudger Hall at St Johnnes Lutheran south of Broad on the Charleston peninsula.

Out the north facing windows at Gudger Hall

A lovely old building. Of course the paint flew during the day and the evenings on Edisto were heavenly.

The great Teesha by Mary Whyte painted in class. She’s the model in a lot of Mary’s books and is like Mary just a sweet heart.

My painting of Teesha the last afternoon. Then we were off home. If you can’t take a class with Mary there’s a Northlight video for $15 that you can buy and it’s almost as good as being there and her book on how to paint portraits. She leaves nothing out. Bytw Mary’s assistant thought this was Mary’s for a minute when I showed it to her. Made my day as well as my husbands.

Oh one last nite before I close. When you take Marys class in Charleston she and Sharon treat the class and a plus one with a reception in her studio. Heavy hors d’ouevres and the wine flows.

Margaret in rainy Georgialina curled up on the sofa reading when she should be painting. xoxoxo

Drawing the lovely Crystall.

January 18, 2023January 20, 20236 Comments

Chrystall as a fairy. You have to love her as a model. You never know what she will wear or if she will wear anything. She designs and makes all of her awesome costumes and also does fire batons as well as other performing. You can follow her adventures at crystallinecreative on instagram

These are both gesture sketches with a pentel ink pen drawn quickly. Then painted. This one was probably ten minutes The first one was a longer pose. Chrystal posed for us in a Zoom session. Lots of fairy poses. Best $10 I have spent recently.

My favorite type of sketchbook when I am doing live model drawing. Lotsa sheets. Loves watercolor and ink plus it flattens out mostly when it dries. I have it in every shape and size they make. I usually use the two biggest sizes for life modeling thru zoom or Dr Sketchys. Great for all those gesture poses.

This is one I use for everyday things when I don’t have my other fav Stillman and Birn handy.

Margaret xoxoxox

Another Monday with Crystal

May 26, 2022May 26, 2022Leave a comment

The long pose – 40 minutes – pentel brush pen and watercolor in my superaquabee tablet. Crystal of @crystallinecreative did a terrific job as usual during this live zoom session thru Townsend Atelier. She’s doing online modeling sessions via Townsend Atelier about once a month on Monday at 5 EST. You can contact them at mailto:peggy@townsendatelier.com.

Ten minute pose

Fishing again today. That’s my husband up at the top of the dam – the blue dot. You run up and down that hill to land fish. Not me. I sit at the bottom and paint. Of course I didn’t finish anything today. Maybe I will get them down tomorrow. Some dummy left most of her brushes at home. Duh.

Maggie xoxoxo

Online Live modeling session

May 23, 2022May 26, 2022Leave a comment

Crystal was awesome. She’s a rock steady model holding the pose for long periods of time without moving and her poses are always fascinating. Her costumes which she makes are always phenomenal.

We started off with five minute poses then two minute and up to forty for the long fairy pose.
You can follow her at @crystallinecreative on Instagram.

*10 min pose with pentel ink brush pen, watercolor in my favorite super aquabee sketchbook.*

Crystal is a super model. Been drawing her off and on for a while since going to the Atlanta Artist Center where she also models. Now She’s doing online modeling sessions via Townsend Atelier about once a month on Monday at 5 EST. You can contact them at mailto:peggy@townsendatelier.com. They have a phenomenal range of classes.

Well chop her head off. Another two minute. Love the body but that neck is toooooo long. Lol.

10 min u really should fix her left eye. Will eye. Probably not. Lol.

Another ten minute but I went back in later and touched it up. Looked lame because it was done in pencil and needed more paint.

The Fairy is painted on a half sheet of Fabriano hot press. 15×22. It was nearby when I decided the long pose was too interesting for my smaller aquabee. Drawn in pencil painted with my Mary Whyte colors palette.

*Screenshot from the online zoom session.*

One advantage to doing a zoom session is that you can capture her pose with a screen shot.

Handy if you want to tweak your sketches. Doesn’t matter if there’s not enough detail because you really don’t want to get bogged down with the details.

The camera was down near her feet so there was a lot of odd foreshortening. She really doesn’t have big feet except from that angle. Lol.

Margaret who needs to get busy xoxoxo

Mary Whyte and Mom’s 96th Birthday

January 29, 2022January 30, 20222 Comments

Well the time has come to take a class from the famous Mary Whyte. Off to St Simons next week via Dick Blick class in Savannah to spend my gift certificates. You know I “need “ something. Right?

Best part will be hanging out with my friend Karen Schaaf who I haven’t seen since before covid. Karen recently got her NWS signature and will be in the next issue of Splash 22. We can say we knew her when. Met her at Cheap Joes taking a class from the late great Charles Reid. I think I have almost every book he wrote.

I painted this of my mom who turned 96 last Monday a couple of years ago. I call it
“I Told Her to Smile” because I did and she didn’t. Painted on Fabriano 300# hot press. 11×15”

Thinking about repainting it since it looks off to me now. Nose too long and the mouth twitched to the side. And what’s with the light streak across her chin. Bytw mom did NOT like this painting. Never pout mom, never pout.