
LIVE from Paris! Drawing is Free at Noon EST on Zoom!! NO Nudity. Just drawing heads. GREAT practice

Keeping it fresh i hope and not overworked. I used Mary Whytes fav flesh combo M Graham raw sienna and quin pink for the flesh tones. Works well for all skin tones just varying the amounts of raw sienna and water to lighten or darken the mix. Its the only combo she uses for skin tones. Sweet face w her fun two tone hair. Fun painting her curly hair again today. While i remembered to do the hair wet on wet it ran too much. Thicker paint next time.

Day 55 #jyportraitchallenge. Definitely a TOUGH paint. All that shadow and the pic is black and white so what to do with the background?! Lots of dark blue since its the compliment of peach/orange and makes her skin sing. The blue also let me loose her left side in the shadows.
My fav part is where her left hip meets the background.

I used a big cheap chinese brush and a Cheap Joes Scroogys Loose Goose for her quin gold and quin burnt sienna tendrils. The Cheap Joes Scroogys Loose Goose is a very long very skinny saver brush that is almost impossible to control. You have to trust it it will make perfect curls.


Miranda. So many details to paint. Need i say more!? Drawing went well. Done quickly. Painting wasnt bad either just too many things to paint. Note to self. Do not tape the corners. Duh!

M Graham and a few Daniel Smith quins – gold burnt sienna and scarlet.
11×14” Stillman and Birn Alpha sketchbook OR Meeden cp 140. Or Fluid cp 140.
Painted w a Mary Whyte fav paint M Graham and her fav brush a cats paw, #10 Charles Reid kolinsky sable (both brushes and paint at Cityart in Columbia, SC @cityartsc ) and 1/2” Robert Simons synthetic flat, arches 140 cp 9×12”
Maggie who wanted to be sure to post today. Xoxoxox




















































