My niece was excited about eating her chocolate milkshake at Rutledge Cab Company in N Charleston. Great restaurant bytw!!!
On the palette Aurelian yellow, vermilion, burnt sienna, Thalo blue(joes blue), manganese blue, alizarin, quin magenta.
Hope your Sunday is wonderful. We are getting much needed rain here on the river!!
Well the time has come to take a class from the famous Mary Whyte. Off to St Simons next week via Dick Blick class in Savannah to spend my gift certificates. You know I “need “ something. Right?
Best part will be hanging out with my friend Karen Schaaf who I haven’t seen since before covid. Karen recently got her NWS signature and will be in the next issue of Splash 22. We can say we knew her when. Met her at Cheap Joes taking a class from the late great Charles Reid. I think I have almost every book he wrote.
Thinking about repainting it since it looks off to me now. Nose too long and the mouth twitched to the side. And what’s with the light streak across her chin. Bytw mom did NOT like this painting. Never pout mom, never pout.
This is the photo the painting is based on taken on her 90th birthday. A friend said she was concentrating. Maybe so.
It has the baby’s name in one corner heart her parents in another, her dob in the third and place of birth in the last one.
Margaret under her quilt on the sofa who really needs to pack for her Mary Whyte class next week but heck I can do that tomorrow right?! Xoxoxo
You know one of the things That is a good side effect of the pandemic is all the zoom classes with famous artists that you could never afford to take from in person. And no travel. Do it at your favorite painting table. A win win if there is one in this hideous pandemic.
Quitting now. I worked on my sky a bit. And splattered a lot with white gouache, cad yw, opera, and some Joe’s Andrew’s Turquoise. Softened a few edges. Lightened a few spots that had gotten too wet to paint the bushes on and gone dark.
Will try again with a different building on Hahnamuhle rough instead of Kilimanjaro cold press. Let’s see how it does.
The sketch. Not much to it is there?! Kilimanjaro 300# cold press.
First wash. Dry brushing once I remembered to. Oops. Scratching in the field a bit. And splattering the green to simulate followers. The sky omg. Puffballs. Eek.
Progress. Using my cheap Joe’s Scroggys loose goosy, a kind of saber brush, to paint the flowers – all those lines. It also makes great hair, branches and sometimes telephone lines.
Adding details and darks. Trees and bushes. It was still to wet to do a lot of these but I plowed on chasing Keiko.
NEVER drink espresso Before Doing phone lines. Wobbly lines. Sigh.
Finally remembered how to dry brush trees. Added some neutral tint and some yellow ochre and alizarin to the sky. More cobalt too.
Thought it was done. But eeek. That hard edge under the house bushes. Had to wipe them out some.
If you are interested in taking online classes. Shopkeeparty.com offers all kinds of art classes twice a week. Every Tues am there’s a one hour one that is free to the public on YouTube. There’s also an extensive backlog of videos on YouTube all free for the watching on Shopkeeparty. John Harrison who runs it has been doing these for a year now. Another COVID benefit. He’s in England. His artists are all over the world.
Margaret xoxoxox who should sell some art to pay for the expensive sliding door that’s getting g replaced. Salesman coming today. Eeekk.
Got a little carried away painting daffodils yesterday over and over and over. Wanted soft edges and kept getting hard ones. I used up a half sheet of 300# Kilimanjaro painting these.
They range in size from 10×10″ to about 7×7″.
Some have salt added to them which gives the speckled look.You can still see salt on this one. Oops.
After lunch I forgot the salt and splattered them. Oops
Cad yellow light, Indian yellow, Daniel smith sodalite and green apetite, quin magenta and sap green. Oh and some Daniel Smith gold and opalescent blue.
I also added salt to three of them. Wish I remembered to do it to the last two.
Winter in St Petersburg makes me glad we don’t live in a cold cold clime like that. Half sheet Kilimanjaro 20×15″
These are some famous buildings in St Petersburg. Took an online class from Tatiana Assimova (she’s on IG) where you spoke Russian to us and Vlad translated simultaneously. How crazy we live in a day and age you can take a class live all the way from St Petersburg while it’s being translated in Sarasota FL on zoom?!
The sketch and my paper sopping wet. We wet both sides and let it sink into the paper. I used a big hake brush to do it.
Mine was so wet it was still dripping on the back side FOUR hours later. I kept trying to paint the people and my trees in the foreground and they just kept running.
The trees are painted with a half worn out chip brush. The cheap house painting brushes you can buy for $1 each. Or by the bagful at Michael’s.
Finally used a hair dryer on it. BOTH a front and back sides. C R A Z Y. Nothing was drying. Maybe because I had the windows open?! Usually everything dries quickly running the AC or heat.
sky wash of Daniel Smith neutral tint over a yellow ochre layer. All very wet. It does make great skies though.
Onto the buildings. Yellow ochre and neutral tint. I did not get the 911 at first that you had to use straight color to keep it from running a lot. Oops. I did by the time I got to the building on the left.
Colors neutral tint yellow ochre and a dab of burnt sienna.
More trees and buildings. My details kept mushing into the backgrounds. Oops. Too wet.
And now everything else was running together or running away. Sigh. I kept waiting for the trees to dry but no no no they weren’t. I scrubbed off the lilac grey in the foreground.
Hair dryer time.
Here it is now. A fun experiment.
Electric lines done w a liner neutral tint the gouache. The snow spattered w white gouache on a toothbrush. Lots of paint slinging. You should see the tv on my painting Table. Oops.
Two paintings in one day and a nice long nap on the sofa when I finished.
I painted and drew from 9 am to almost 5! Guess my artistic block is over. Amazing how a vaccine takes the pressure off! Hope you get yours soon.
The drawing. 300 # cold press Kilimanjaro. Nice paper! Masking fluid was added to reserve the white of the whiskers.
Off to a wild start with Liz Chadderton. You too can paint a cute Easter bunny. She makes her animal paintings look so easy but let me tell you they aren’t. My paper kept drying out making hard edges. Sigh.
Almost done. This only took 40 minutes and about forty years of practicing. Only 3 colors used. French ultramarine, burnt sienna or burnt umber and opera pink. Masking fluid on the whiskers.
And that’s a wrap. Back to my nap. 😴 Margaret xoxoxo
Done for the moment. Sunday Funday with Ian Fennelly. Who could resist drawing the Eiffel Tower with Ian??! Really enjoyed it despite I wore my hand out inking it. Should have taken a lunch break. One of my fav places in Paris esp when lit up at night.
I sat under it on one Saturday nite drawing it. Heaven for someone who loves to sketch.
Of course I can’t find the picture of the sketch right now. A double page spread too.
The sketch. Tombow time.
Firming it up with permanent ink markers. Like the lettering but little matchbox cars. Oops. Oh well. Can’t have it all, right?!
First layer of watercolor. Four colors. Winsor Newton Brown Madder, WN Cerulean, WN Prussian Blue, and M Graham Azo Orange. Oh a dab of ivory black used as a grey.
Close up. Yummy colors. The weird brown red is the the brown madder.
Adding more tombows. Coloring with the marker end. A range of greys and black. Second sweep with watercolor. Cross hatching underway with permanent fine liners .05, .03 and .01.
Finished exhale or it got a little dark. One good thing abt fluid hotpress. You can wipe some of the color off.
Here it is now. My fav bit are the cobble stones near the crosswalk. No idea why but there it is.
But this one is still my fav.
Margaret watching Bull again. Not listening to it again. Xoxoxox
Done. For sale 15×20″ cold press 300# Kilimanjaro
Love my trees. Painted with Daniel Smith Payne’s grey a yellow mix used for the trees yellow ochre Holbein lilac and a cad yellow light. A few bits of cobalt cerulean mix.
Oh and most importantly painted w a saber brush and a dagger brush uncontrollable but make wonderful lines for trees.
The snow was done w cobalt. I tried adding cerulean but always get a nasty opaque grey with it so wiped it off. Scrubby scrubby.
Other colors used burnt sienna burnt umber and Prussian blue in his jeans.
I got carried away having fun painting the trees on the right. Finally decided to wipe some out by scrubbing with a paint brush. They are not the focal point.
My morning greeting. Anyone need a kitty kitty?!!
Margaret who can’t let them starve. Xoxoxo
Making mist in the blue ridge. Arches 280#cold press. Cheap Joe’s American Journey paint.
Took photos of the process today. But it might be easier if you wanted David R. Smiths YouTube videos. This is the short one. Then the longer more involved one. Or you could sign up for his online class next Tuesday. Should be fun. His students give him rave reviews.
First layer wet the paper add yellow sun red ring and cobalt. Spray it with a spatters spray. Dry it.
First row of trees. Wet under the trees and spatter again. Lift some color form the bottom w a thirsty brush. Aka dry brush which will suck up the paint making the mist. Dry after the colors run and mix.
Repeat on the left.
And so on and on. Repeat repeat. Repeat. Getting darker with each layer. Load bottom of trees w water. Paint the trees. Spatter tops w water. Lift some off bottoms w a thirsty brush. And dry.
Last layer is the darkest. It’s wet here.
I lifted some with my thirsty brush and this one is dry.