About 15×15″ rough Fabriano 300# mixed media. Goauche Watercolor and pastel.
Who would have thought that would ever be a combo you would use together but LOVED the technique the speed and the splashy fun.
Spring bluebells at Castle Howard
Got a little carried away making lines with my sword brush but who knew it made those long splatter marks. Load a sword brush with a lot of paint and water and sling it and you get stripey lines like on the bottom right.
I had my splatter all over the floor feeling my inner Jackson Pollack and the tv and the table and goodness knows where I will find it.
Cobalt and alizarin I think. Oh and cerulean. This was just using a regular brush making lines rolling it. Who knew you could roll a paint brush to make marks?!
Adding greens by making them. Viridian and yellows for the green more splattering and slinging paint
Adding pastel to the trees abs blue and green pastel to make shadows and marks. Then white gouache mixed with yellow. Last thing I added was some cheap Joe’s American Journey sky blue mixes with white gouache. I may go back and add some Andrew’s turquoise mixed with white gouache too and some blue & purple pastel. Maybe
If you ever get a chance to take a class from Robert Dutton do. The man is a wild man with ideas popping out of him like a pot boiling over. Taking a three hour class from him next week. Can’t wait. Had to order some new soft pastels for it from Amazon because we don’t have an art supply store anymore. 😩😩
You know one of the things That is a good side effect of the pandemic is all the zoom classes with famous artists that you could never afford to take from in person. And no travel. Do it at your favorite painting table. A win win if there is one in this hideous pandemic.
Quitting now. I worked on my sky a bit. And splattered a lot with white gouache, cad yw, opera, and some Joe’s Andrew’s Turquoise. Softened a few edges. Lightened a few spots that had gotten too wet to paint the bushes on and gone dark.
Will try again with a different building on Hahnamuhle rough instead of Kilimanjaro cold press. Let’s see how it does.
The sketch. Not much to it is there?! Kilimanjaro 300# cold press.
First wash. Dry brushing once I remembered to. Oops. Scratching in the field a bit. And splattering the green to simulate followers. The sky omg. Puffballs. Eek.
Progress. Using my cheap Joe’s Scroggys loose goosy, a kind of saber brush, to paint the flowers – all those lines. It also makes great hair, branches and sometimes telephone lines.
Adding details and darks. Trees and bushes. It was still to wet to do a lot of these but I plowed on chasing Keiko.
NEVER drink espresso Before Doing phone lines. Wobbly lines. Sigh.
Finally remembered how to dry brush trees. Added some neutral tint and some yellow ochre and alizarin to the sky. More cobalt too.
Thought it was done. But eeek. That hard edge under the house bushes. Had to wipe them out some.
If you are interested in taking online classes. Shopkeeparty.com offers all kinds of art classes twice a week. Every Tues am there’s a one hour one that is free to the public on YouTube. There’s also an extensive backlog of videos on YouTube all free for the watching on Shopkeeparty. John Harrison who runs it has been doing these for a year now. Another COVID benefit. He’s in England. His artists are all over the world.
Margaret xoxoxox who should sell some art to pay for the expensive sliding door that’s getting g replaced. Salesman coming today. Eeekk.
Tractor time. Found this one smack in the middle of Oakhurst in Decatur.
Slowly rusting away in a back yard near my youngest sons old house just off Oakview. As one of my friends said it already had a chicken. I think it might need one on top of the tractor too.
The sketch on 10X15″ sheet of 140# of hotpress Fabriano. Drawn with a .03 Derwent permanent marker.
Watercolor added. Cad red light ultramarine Prussian blue quin gold burnt sienna.
Done for the moment but I do think it needs something. I added some greytone Tombow markers.
Addendum: found out this is a McCormick Farmall Tractor probably from the 40s or 50s. Thanks have found a pic on line of the same one but doesn’t tell the model number.
Margaret ready for bed. Xoxoxox
Drawing an old trucks is fun. I decide this one needed more rust.
So I added some burnt sienna to it.
First ink lines
Adding more ink lines
Finally done. I do love a Good chicken. Do u suppose she laid eggs in the cab?!
Colors used burnt sienna burnt umber ultramarine blue And PRussian blue quin gold cad red
Permanent fine lines .03 and .01 Tombow markers Fabriano hot press 140#
Looking at this boat makes me smile. Love the silly birds on top. Clyde and co!
The photo. I was trolling YouTube this am and discovered an Ian Fennelly paint along and I thought way more fun than listening to NPR and doing the Aigusta National golf club.
And I was right. Always fun to listen to Ian natter on. This is an old sailboat on the river Dee in Cornwall. Something about the river isn’t there anymore just the marshes?!
Stage 1. The pen layout.
Stage 2. Drawing the boat and environs with a Tombow fine tip end. A number 65 I think.
Stage 3. Coloring the boat w tombows and fine liners.
Stage 4&5. Color added then some more marker detail. Also the silly gulls. Limited palette Ultramarine, Burnt sienna, Orange, green gold, white gouache.
Margaret who almost forgot to post. Xoxoxox
Step 1. Lay out pens on your paper at the angles you will draw the buildings.
Step 2. Drawn with a very light Tombow on 140# hot press Fabriano 15×20″. Delicious paper. Sometimes I think it would be easier to start these off with a pencil. Then you can erase the inevitable oopseys.
Step 3. Ink it with a .03 permanent fine liner adding a few more details.
Step 4. Watercolor layer. Only four colors used. Ultramarine, cad red dark, burnt sienna or quin sienna and cobalt teal light.
Step 5. Adding more Tombow and darker tombows including black.
Step 6. Adding more details! Using the permanent fine liners. .03 .02 .01 And a bit more Tombows.
Step 7. And last add a bit more watercolor. And a few more splatters. I do love splattering.
That’s a wrap. The last Sunday Funday with Ian Fennelly. Ian’s been a very busy boy during the pandemic offering a ton of classes in Studio56Boutique.com.
Margaret tucked up in bed. Xoxoxo
Took an online live class with Ian Fenelly. I have long wanted to take a class with him but never been where he was teaching. I have to say with ten years of public school teaching under his belt he’s an excellent organized teacher.
There are some pluses to the pandemic. If you haven’t tried one or two you should. shopkeeparty.com offers something for everyone. The photo Winsor Castle.
Starting the sketch with light grey tomboy pens on hot press fluid paper. A half sheet size.
Since Tombows are water soluble it is a great idea to use permanent markers on it to show details. The idea is to make an exaggerated perspective using some lines that are square but most not.
Watercolor layer done. Quin gold, Thalo blue, burnt sienna and andrews turquoise.
The markers and some of the paint brushes.
Adding details with the grey tombows. It was getting a lot of fun to do at this point. The fact that it did not all have to be exactly in perspective was freeing. Who cares if a line wobbles here and there. That’s part of the fun.
I added a lot of cross hatching per Ians direction. Done for now. Now it’s time to look at it for a while.
The bit of sky was added because I had some grey mess of Tombow that I couldn’t cover up any other way.
I recommend a class on Shopkeeparty.com. Thursday Keiko Tanabe is teaching. Will be scratching her off my bucket list come Friday. And next week Liz Chaderton is doing a very fun otter class. Once a week they offer a free one hour demo paint along on Tuesdays. I meant to do the otter with Liz today but got up too late. No sleep last nite. Might try it tomorrow when it’s on YouTube.
Margaret ready to put Her feet up and stare at her painting for a while. Xoxoxox
Old town Havana Paint along with Vladislav Yesileyev. Fabriano 300 lb rough paper which I have decided I now hate. It kept holding edges. Put paint on and there was a hard edge. What the heck. It’s not suppose to do that at $16 a sheet. This is a half sheet.
Vlad’s value sketch.
The drawing and what a pain it was.
First washes just three colors yellow ochre alizarin and cobalt blue.
Midtones. Adding I burnt sienna neutral tint dioxzine purples cad orange.
Adding darks. Burnt sienna burnt umber ultramarine vandyke brown
Done doe now. Who knows what it will tell me in the am?!
Margaret tired of looking at it.
Drawing Van Goghs The Room with Danny Gregory. Always a fun activity on YouTube. Low pressure. Everyone yaks away via chat while Danny yaks. Last about an hour. He’s always relaxing.
As to The Room. Drawn with Caran d’ache neocolor ii which are crayons that turn into watercolors. I wet them with my fingers aka finger painted. I was too lazy to get up and find a brush so I stuck my fingers in my nearby water glass and smeared the color around.
Did u know the actual painting has turned purple. Some reaction to the underpaintings color. Oops Vincent what happened?!