Making progress on the big painting. The guy definitely needs more work. Eek. Funny how different they look in a small photo.

No matter how many times I walked a way from it I didn’t notice it. Hmm I was tired. I think everyone in the studio had spring fever. Nobody stayed late painting like we usually do.
Colors heavy body Golden and liquitex Tutanium white, nickel Azo gold, burnt umber, napthol red, ultramarine blue, dioxzine purple, pyrrole red. Thanks for looking.
So why use artist grade besides they will last forever. The pigment load is higher. That means you get more intense color with less paint. You can actually use more paint when you use the cheaper student grades to get the color you want and you may never get intense color.
Thanks for reading.
Margaret xxx



I also had hand lotion on my hands when I started painting this which acted like a resist…eeekkk…finally got around that by wiping it with a kleenex…not one with hand lotion either lol…







15 minute sketches. I think I would do better if I used a timer all the time.
The mask has black wink of Stella glitter brush pen on it and the necklace gold wink of Stella.

















There was no way I was going to paint this saki pot without it. I finally remembered that I had put it up when I cleaned out my paint box before going to Charles Reid's class. He NEVER uses masking fluid. 



I hung her back up and Realized that I needed to lower her right shoulder. I lifted a bit of the flesh color to see if it worked. Blotted it with tissue. Let it dry. Added about a 1/2" of background to lower it. 
