WIP Paris Cafe

Hahnemuhle 140# half sheet

Wishing I was sitting here having an espresso followed by a croque monsieur. For now. Too tired to work on it anymore today. Not crazy abt the people but then that’s not new. Paint along with Vladislav Yesileyev
Vlads value sketch
First wash yellow ochre alizarin and cobalt Cad orange.
And the rest of the first wash. Cad red light, cobalt teal, cerulean w neutral tint yellow ochre and dioxzine mixed in. Funny how light the left hand buildings look now
Adding details and that darn motorcycle
Windows going in. Same colors
The shadows added and MORE windows So many windows 
Starting to look done.
And now. Time to put my feet up. Color me tahred. Xoxoxox Margaret

The boat has sailed

15×20” Hahnamuhle 140#

I actually like this so far. The morning will tell. Paint along with Vladislav Yesileyev

The value sketch
The photo
First wash

Yellow ochre cobalt and alizarin This layer will eventually disappear or appear to be white.

Sky wash cerulean instead of cobalt. Otherwise the same colors. Yellow ochre alizarin and neutral tint
My terrible blotchy trees that I dry brushed. Colors cobalt Dioxzine purple yellow ochre for the purple color. Indigo and cad yellow w a bit of burnt Sienna for the greener colors.
Well zap a lot more done. Too much to tell u even a bit abt it but omgoodness that dinky little boat.
Fixing mistakes. Well trying to. Adding blacks to the trees.
And done for now. So glad those overhead branches hide my terrible rigging on the boats or the blotchy trees. Thank goodness. A reprieve.

Margaret ready for a nap after four hours of madly chasing after Vlad today. Eeek.

Xoxoxoxo

Somewhere in Italy

So far 15×20” hahnamuhle rough 140#

On the whole I like it but feel it’s a little light. I will sleep on it and decide. Paint along with Vladislav Yesileyev

The photo
The sketch
Even before painting I managed to smear the worst color of all to remove- Alizarin- on my lovely pristine white paper.
Eeek.
I did blot it off a little. By the end it seemingly became much less noticeable. Thank goodness.
First wash. Boy that took forever. While it looks dark right now it really dried to become very light. cobalt alizarin yellow ochre and cad orange
Sky wash done. I managed to keep my fingers out of for once. Cerulean neutral tint dioxzine violet
Adding shadows. Cobalt yellow ochre dioxzine and neutral tint
Suddenly those darks make the first washed look so light. How strange is that?! The blooms aka rocks on the foreground are made by splattering water on the greys once it dries a bit.
And done for now. You can only see a bit of the alizarin smears. Handy the lady has an alizarin top isn’t it!?

Margaret all in for tonite. Michael’s tomorrow for some fixative I hope. Otherwise waiting til I go to Blick this weekend.

Xoxoxo

Over the hill

Rather like this. Might be my fav watercolor I have done lately.

Quarter sheet Hahnamuhle Cezanne 140#

Took a fast 1 hr class with Graham Booth sponsored by Shopkeeparty as an ad for his longer paid class next Th. You can also purchase a downloadable video of the session too and have permanent access to it. As I said John at Shopkeeparty is doing a great service to the art community. It was posted on YouTube today.

I have followed Graham on YouTube for a while and do like to paint along with him when I have time energy and like his subject. The videos he posts are shorter but still interesting.

Graham lives in N Ireland. At what other time could you be in Ga and take a class from someone live in N Ireland?! Zoom makes it possible.

The photo. Somewhere in Scotland but could be in the Blue Ridge so that’s what I am going with.

First wash. Sky way to pale.

Always amazed at how it changes when you add some darks. Mix of quin gold and ultramarine. I think.

Hmmm🧐🧐

Splat the buildings were done. Some of the foreground. Cad red on the roofs. Burnt sienna ultramarine for greys. Ultramarine and alizarin for the purple. More green in the foreground. Splattering red for flowers and I think yellow.

And then we were fine. Adding a few shadows and more darks in the foreground.

Zoe telling me to get up yesterday.

Ttyl Margaret xoxoxo

Field of flowers

You know one of the things That is a good side effect of the pandemic is all the zoom classes with famous artists that you could never afford to take from in person. And no travel. Do it at your favorite painting table. A win win if there is one in this hideous pandemic.

Today I took a class with Keiko Tanabe on shopkeeparty.com. she just zips along. This class went alot better than thenlast one I took with her so I may do another.

Quitting now. I worked on my sky a bit. And splattered a lot with white gouache, cad yw, opera, and some Joe’s Andrew’s Turquoise. Softened a few edges. Lightened a few spots that had gotten too wet to paint the bushes on and gone dark.

The photo

Will try again with a different building on Hahnamuhle rough instead of Kilimanjaro cold press. Let’s see how it does.

The sketch. Not much to it is there?! Kilimanjaro 300# cold press.

First wash. Dry brushing once I remembered to. Oops. Scratching in the field a bit. And splattering the green to simulate followers. The sky omg. Puffballs. Eek.

Progress. Using my cheap Joe’s Scroggys loose goosy, a kind of saber brush, to paint the flowers – all those lines. It also makes great hair, branches and sometimes telephone lines.

Adding details and darks. Trees and bushes. It was still to wet to do a lot of these but I plowed on chasing Keiko.

NEVER drink espresso Before Doing phone lines. Wobbly lines. Sigh.

Finally remembered how to dry brush trees. Added some neutral tint and some yellow ochre and alizarin to the sky. More cobalt too.

Thought it was done. But eeek. That hard edge under the house bushes. Had to wipe them out some.

And done.

If you are interested in taking online classes. Shopkeeparty.com offers all kinds of art classes twice a week. Every Tues am there’s a one hour one that is free to the public on YouTube. There’s also an extensive backlog of videos on YouTube all free for the watching on Shopkeeparty. John Harrison who runs it has been doing these for a year now. Another COVID benefit. He’s in England. His artists are all over the world.

Margaret xoxoxox who should sell some art to pay for the expensive sliding door that’s getting g replaced. Salesman coming today. Eeekk.

WIP

Tractor time. Found this one smack in the middle of Oakhurst in Decatur.

Slowly rusting away in a back yard near my youngest sons old house just off Oakview. As one of my friends said it already had a chicken. I think it might need one on top of the tractor too.

The sketch on 10X15″ sheet of 140# of hotpress Fabriano. Drawn with a .03 Derwent permanent marker.

Watercolor added. Cad red light ultramarine Prussian blue quin gold burnt sienna.

Done for the moment but I do think it needs something. I added some greytone Tombow markers.

Addendum: found out this is a McCormick Farmall Tractor probably from the 40s or 50s. Thanks have found a pic on line of the same one but doesn’t tell the model number.

Margaret ready for bed. Xoxoxox

Monday can be Funday too

Looking at this boat makes me smile. Love the silly birds on top. Clyde and co!

The photo. I was trolling YouTube this am and discovered an Ian Fennelly paint along and I thought way more fun than listening to NPR and doing the Aigusta National golf club.

And I was right. Always fun to listen to Ian natter on. This is an old sailboat on the river Dee in Cornwall. Something about the river isn’t there anymore just the marshes?!

Stage 1. The pen layout.

Stage 2. Drawing the boat and environs with a Tombow fine tip end. A number 65 I think.

Stage 3. Coloring the boat w tombows and fine liners.

Stage 4&5. Color added then some more marker detail. Also the silly gulls. Limited palette Ultramarine, Burnt sienna, Orange, green gold, white gouache.

Margaret who almost forgot to post. Xoxoxox

Sacre Couer

Sketching Paris – Sacre Couer which sits on the highest point in the city and can be seen from all over the city. There are a few tweaks coming sooner or later.

The photo.

Step 1. Lay out pens on your paper at the angles you will draw the buildings.

Step 2. Drawn with a very light Tombow on 140# hot press Fabriano 15×20″. Delicious paper. Sometimes I think it would be easier to start these off with a pencil. Then you can erase the inevitable oopseys.

Step 3. Ink it with a .03 permanent fine liner adding a few more details.

Step 4. Watercolor layer. Only four colors used. Ultramarine, cad red dark, burnt sienna or quin sienna and cobalt teal light.

Step 5. Adding more Tombow and darker tombows including black.

Step 6. Adding more details! Using the permanent fine liners. .03 .02 .01 And a bit more Tombows.

Step 7. And last add a bit more watercolor. And a few more splatters. I do love splattering.

That’s a wrap. The last Sunday Funday with Ian Fennelly. Ian’s been a very busy boy during the pandemic offering a ton of classes in Studio56Boutique.com.

Margaret tucked up in bed. Xoxoxo

Daffy for daffodils

Got a little carried away painting daffodils yesterday over and over and over. Wanted soft edges and kept getting hard ones. I used up a half sheet of 300# Kilimanjaro painting these.

They range in size from 10×10″ to about 7×7″.

Some have salt added to them which gives the speckled look.You can still see salt on this one. Oops.

After lunch I forgot the salt and splattered them. Oops

Cad yellow light, Indian yellow, Daniel smith sodalite and green apetite, quin magenta and sap green. Oh and some Daniel Smith gold and opalescent blue.

I also added salt to three of them. Wish I remembered to do it to the last two.

Margaret xoxoxo

Wet on really wet

Winter in St Petersburg makes me glad we don’t live in a cold cold clime like that. Half sheet Kilimanjaro 20×15″

These are some famous buildings in St Petersburg. Took an online class from Tatiana Assimova (she’s on IG) where you spoke Russian to us and Vlad translated simultaneously. How crazy we live in a day and age you can take a class live all the way from St Petersburg while it’s being translated in Sarasota FL on zoom?!

The sketch and my paper sopping wet. We wet both sides and let it sink into the paper. I used a big hake brush to do it.

Mine was so wet it was still dripping on the back side FOUR hours later. I kept trying to paint the people and my trees in the foreground and they just kept running.

The trees are painted with a half worn out chip brush. The cheap house painting brushes you can buy for $1 each. Or by the bagful at Michael’s.

Finally used a hair dryer on it. BOTH a front and back sides. C R A Z Y. Nothing was drying. Maybe because I had the windows open?! Usually everything dries quickly running the AC or heat.

sky wash of Daniel Smith neutral tint over a yellow ochre layer. All very wet. It does make great skies though.

Onto the buildings. Yellow ochre and neutral tint. I did not get the 911 at first that you had to use straight color to keep it from running a lot. Oops. I did by the time I got to the building on the left.

Colors neutral tint yellow ochre and a dab of burnt sienna.

More trees and buildings. My details kept mushing into the backgrounds. Oops. Too wet.

And now everything else was running together or running away. Sigh. I kept waiting for the trees to dry but no no no they weren’t. I scrubbed off the lilac grey in the foreground.

Hair dryer time.

Here it is now. A fun experiment.

Electric lines done w a liner neutral tint the gouache. The snow spattered w white gouache on a toothbrush. Lots of paint slinging. You should see the tv on my painting Table. Oops.